Mixing It Up With DataVideo’s Mixers @ Graphics Vision

Video Mixers have always been an integral part of live performance broadcast. Some of our favourite video mixers come from Datavideo Technologies, a Taiwan based corporation with 27 years of experience.

Datavideo's DN-200 Hard Drive Recorder and HS-2000 HD Mobile Studio

Datavideo's DN-200 Hard Drive Recorder and HS-2000 HD Mobile Studio

When a Facebook asked us some technical questions about the HS-2000 and its combo with a Canon EOS 7D, we turned to our local Data Video distributor, Graphics Vision.

This is the newly upgraded Hand Carried Studio, HS-550

This is the newly upgraded Hand Carried Studio, HS-550

I spent more than half the day checking out the various mixers and accessories that go with it. Accessories include a HDMI to HD SDI converter, intercom systems (to the videographers) and file-based recording devices.

The HS-550 comes equipped with the DN-60 CF Card Recorder for file-based recording.

The HS-550 comes equipped with the DN-60 CF Card Recorder for file-based recording.

The HS-2000 is affectionately called a ‘Hand Carried Studio’. It is one of Datavideo’s flagship video mixers. Somewhere in the middle is the HS-550 (featuring 2 LCD screens) which has been beefed-up with some awesome features.

Here a Canon EOS 7D is connected via HDMI cable to the HS-2000 to test live feed qiality.

Here a Canon EOS 7D is connected via HDMI cable to the HS-2000 to test live feed qiality.

The HS-550 now boasts an internal VGA and DVI converter. This gives event producers the ability to integrate PowerPoint (or computer/laptop based presentations) with live video feeds. It also comes with intercom system for on-location communication with videographers.

The HS-2000 only accepts HD-SDI and DVI signals so a DAV-9 is used to convert the HDMI feed.

The HS-2000 only accepts HD-SDI and DVI signals so a DAV-9 is used to convert the HDMI feed.

Another neat feature is the addition of a Firewire 400 port and bay which a CF card recorder like the DN-60 can fit snugly. This addition lets producers record shows directly to CF cards instead of capturing to tapes (a slow and cumbersome workflow).

The settings to enable Canon EOS 7D output to Datavideo HS-2000 for broadcast.

The settings to enable Canon EOS 7D output to Datavideo HS-2000 for broadcast.

This has been a rewarding day spent mixing it with video mixers in the company of professional technicians at Graphics Vision Sdn Bhd.

For more info on the Datavideo HS-550 and be sure to check out the incredible HS-2000

If you are interested in Datavideo products, call GraphicsVision at 603 – 7727 1868

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Metting Vincent Laforet, Canon C300 launch with Canon Professional HD Center

Film Maker Vincent Laforet with C300 at Launch of Cinema EOS SEA Tour, Vivo City, Singapore.

Film Maker Vincent Laforet with C300 at Launch of Cinema EOS SEA Tour, Vivo City, Singapore.

We were all very excited when we heard the launch of the groundbreaking Canon C300 $20,000 motion picture camera in Los Angeles, USA. We didn’t think we would have the chance to check the few pre-production models circling the globe.

Imagine our surprise when my friend Herman Chiew of Canon Professional HD Center invited me to do a test shoot with him one Sunday evening. Our time with the C300 is limited, according to Herman, who had to send it back to Singapore in a week’s time. I gladly accepted the invitation.

En route to Singapore. The Malaysian contingent at Pagoh rest stop after travelling through dawn.

En route to Singapore. The Malaysian contingent at Pagoh rest stop after travelling through dawn.

About a week later, Herman called, inviting me to Singapore. I was told it would be the official launch of the now famous camera, in South East Asia. Singapore would be the first country to host the launch.

Just enough time to let the cat out of the bag. We're showing off the C300 during our break from travelling.

Just enough time to let the cat out of the bag. We're showing off the C300 during our break from travelling.

I thought; since I’d already handled the camera up close, would it be wise to make a trip down despite our full schedule? Herman happened to call again and said something about a meeting with Vincent Laforet in Singapore. That was piqued my interest no end.

A really fast lens from the Cinema EOS range: CN-E85mm T1.3 L F (EF Mount).

A really fast lens from the Cinema EOS range: CN-E85mm T1.3 L F (EF Mount).

If you’re a videographer and haven’t heard of Vincent Laforet, you must be living under a rock. Mr. Laforet is one of the foremost authority on film making, especially with the Canon EOS 5D Mk II. He is also an award winning photographer. Here’s his website: Laforet Visuals

Saito College graduate, Iven Yoong gets an extreme close-up of the C300 on display at Vivo City.

Saito College graduate, Iven Yoong gets an extreme close-up of the C300 on display at Vivo City.

The opportunity to meet the legend in this part of the world was priceless. So we cleared up our deadlines as best we could and made our preparations for the 350+ KM trip down south.

We each even got a ticket to the Cinema EOS launch, just like going to the cinema. How cute is that?

We each even got a ticket to the Cinema EOS launch, just like going to the cinema. How cute is that?

We were, in that van, all 13 of us, the first little group of Malaysians to arrive at Vivo City, Singapore to witness this momentous event.

Award-winning Director & Film Maker Vincent Laforet shares his experiences shooting with the C300.

Award-winning Director & Film Maker Vincent Laforet shares his experiences shooting with the C300.

It was a memorable experience to be in that vast cinema with the spacious reclining seats. The projector was very sharp and the sound was crystal clear. This was how we watched the short film Mobius directed by Vincent Laforet and shot with the C300.

Neat idea to have the launch in a cinema. It's just like going to the movies

Neat idea to have the launch in a cinema. It's just like going to the movies

Vincent also wowed us and talked about some of his noteworthy photos. Most memorable to me were his adventure up the Empire State Building’s scaffolding, and his aerial works using tilt-shift lenses.

DOP, Singapore based designer of HDSLR rigs is representated by Gary, product engineer.

DOP, Singapore based designer of HDSLR rigs is representated by Gary, product engineer.

I wished he would share his experiences as a photojournalist covering the 2nd Gulf War and the devastation caused by Hurrican Katrina in New Orleans. Those were difficult assignments, I’m sure. Many of his images were made even more awesome after he told us how he shot them.

Our two lovely ladies (Pureen & Suzanne) who got up before dawn to be at the launch.

Our two lovely ladies (Pureen & Suzanne) who got up before dawn to be at the launch.

Some of the films he showed us included ‘Famous Footwear’ (which got the extreme slow-motion treatment), the Rainbow Timelapse (shot off the coast of Naples, Italy), CME (a commercial that Vincent used guerilla film making to get the shots) and of course Reverie (the remarkable film that showed-off the 5D Mk II as a film making camera).

CN-E14.5-60mm T2.6 L S. This lens weights in at 4.5 Kgs and has a diameter of 136mm

CN-E14.5-60mm T2.6 L S. This lens weights in at 4.5 Kgs and has a diameter of 136mm

Watching Vincent’s Mobius on the big cinema screen just goes to show how successful the C300 is at motion pictures. The 4K sensor inside the C300 did not produce a 4,000 resolution film. Instead, all that power was harnessed and focused into a 1080p film.

Herman Chiew (Canon Professional HD Center) easily figures out the controls on the C300.

Herman Chiew (Canon Professional HD Center) easily figures out the controls on the C300.

It’s true your cinema screen resolution is 2048 X 1152 pixels.  So how would a film look at 1920 X 1080? We saw Mobius and visual effects laden sci-film XXIT up on that huge screen. We knew, there and then, and we agree with Vincent, that the C300 is capable of producing feature films that looks fabulous on the cinema screen.

Film Director Vincent Laforet prepares to do an interview for Canon Singapore.

Film Director Vincent Laforet prepares to do an interview for Canon Singapore.

This same technology is what gives the C300 unheard of low light performance. The sensor is so sensitive that at ISO 20,000 it can produce useable images. Vincent stressed the granular and organic ‘feel’ of the noise from the C300, which is similar to film noise coming from film cameras back in the day.

Another advantage of the C300 over other systems, according to Vincent, is the small form factor of the C300. This is one compact motion picture camera that is self-sufficient; it records on CF cards, without the need for space hogging hard disks.

Outside the cinema sat the C300 geared up with a new Cinema EOS lens. It was the hefty wide-angle (4.5 Kgs) CN-E14.5-60mm T2.6 L. It was a sight for sore eyes looking so proud on a tripod.

Getting acquainted with Little India and Vincent Laforet, searching for a good, very spicy curry.

Getting acquainted with Little India and Vincent Laforet, searching for a good, very spicy curry.

I thought it was exhilarating to be standing to be standing next to Vincent Laforet the legend who made the first film from the 5D Mk II. Herman went one step further and wrangled a dinner date with Vincent!

About to dig in. We found a delightful curry house, amongst the many in Little India.

About to dig in. We found a delightful curry house, amongst the many in Little India.

Herman, the human dynamo trekked with Vincent and us all over Little India, usually up front but sometimes bringing up the rear. He periodically did head counts, making sure no one wandered off. Vincent seemed fascinated with some of the shops there, in particular an Indian temple. We finally found a nice dinner spot and spent the time talking shop with Vincent.

To our delight, Herman checked us into suites at Grand Paragon in Johore. An excellent way to wind down an eventful day!

To our delight, Herman checked us into suites at Grand Paragon in Johore. An excellent way to wind down an eventful day!

In the night, Herman got us booked into the Grand Paragon hotel in Johore on a clubbing night (entering Immigration twice in a day) where we were checked into a luxurious and spacious hotel room. Herman didn’t sleep yet. He had to satisfy his passion for photography by taking some quality pics of his room.

Secret cache. Herman showed us what may very well be the best banana cake in the world. Still baked over a wood fire oven.

Secret cache. Herman showed us what may very well be the best banana cake in the world. Still baked over a wood fire oven.

The following day, Herman searched repeatedly and brought us to his secret location for ‘out of this world’ banana cake. Then we went to Johore Premium Outlets and finally headed for the long drive back. All cost- the accommodation, transport and dinner (excluding banana cake) were given to us complimentary.

The moment I sought after. You can have your Elvis or your Will Smith, just make mine Vincent Laforet!

The moment I sought after. You can have your Elvis or your Will Smith, just make mine Vincent Laforet!

Reaching KL, Herman wanted to send each of us back to our doorstep before going home. My guess is he started immediately on the pics to upload the following day… again, for us.

If he ever once complained, no one heard it. The dynamo was always smiles. With gratitude to Herman and Canon Professional HD Center for a well planned and very enjoyable trip to meet my idol Vincent Laforet :)

Posted in Canon C300, DSLR Film Making, DSLR vs Video Camera, Exhibition, Film Making, HD, HDSLR Film Making, High Definition, Product Review, Reviews, Saito College, Sennheiser, Video Cameras, Video Equipment, Video Gear | Tagged , , , , , , , , , , , , , , | Leave a comment

DCIM- Digital Cameras, Imaging, Media Show 2011 with Canon

Steadicam Pilot ($7,000) + Canon XF 305 ($10,000). I'm wearing a total of $17,000 worht of gear!

Steadicam Pilot ($7,000) + Canon XF 305 ($10,000). I'm wearing a total of $17,000 worht of gear!

The DCIM (Digital Cameras, Imaging, Media) show is a playground for the hobbyist, amateur and professional. It is an incredible display of the latest cameras and imaging gear, accessories, promotions, classes and much more.

Equipment for the novice and pro in DCIM 2011. Check out the giant EF lenses in the background

Equipment for the novice and pro in DCIM 2011. Check out the giant EF lenses in the background

Most of our films are made with Canon cameras and lenses. So we were quite excited to find out that this year, Canon took up the largest booth space but that’s not the only good news…

The XF 305 sports advanced image stabilization and 3 pieces of 1/3 inch chip. Wish I had spent more time with it.

The XF 305 sports advanced image stabilization and 3 pieces of 1/3 inch chip. Wish I had spent more time with it.

We were invited by Canon Professional HD Center to participate in DCIM 2011. Initially I was to help showcase the Edius film editing system. When I heard that Tegas Broadcast & Multimedia was also involved, I eagerly requested to demo the Steadicam Pilot.

Grass Valley in a D'cube mobile workstation let's you edit on the go with HD-SDI, HDMI and lots of other essential slots.

Grass Valley in a D'cube mobile workstation let's you edit on the go with HD-SDI, HDMI and lots of other essential slots.

The catch is we had to spend our Christmas holidays in the booth. BUT Canon has taken up 1/4 of the entire floor space and filled it up with goodies.

The lightweight yet sturdy KC Lite 8 from Kessler Crane brings your shots to a whole new level.

The lightweight yet sturdy KC Lite 8 from Kessler Crane brings your shots to a whole new level.

They are embedding me in the thick of all these imaging technology. I consider this a very merry Christmas present!

One of our guys, Nixon Thuah even hoisted his iPhone up on the KC Lite 8 jib... and yielded good results!

One of our guys, Nixon Thuah even hoisted his iPhone up on the KC Lite 8 jib... and yielded good results!

My last project of 2011 was at DCIM. I had over $17K worth of equipment strapped onto me. Thanks to Tegas Broadcast & Multimedia for sponsoring the Steadicam Pilot ($7K) and Canon Professional HD Center for the XF305($10K).

Some folks attend trade shows and make it a priority to check out the show girls. Can't say I blam them!

Some folks attend trade shows and make it a priority to check out the show girls. Can't say I blam them!

Again the Steadicam Pilot has seduced me. I spent most of the day tinkering with it, adjusting the vest, removing the system and putting it on again.

Some of the HDSLR rigs on display from DOP and Genus with Libec tripods.

Some of the HDSLR rigs on display from DOP and Genus with Libec tripods.

I practiced walking and walking with it. I now know I should given the other gear and cameras equal time but how to resist its beckoning?

Booth to booth with Andrew Boey with the sexy Steadicam Pilot and excellent Canon XF 305

Booth to booth with Andrew Boey with the sexy Steadicam Pilot and excellent Canon XF 305

Thanks to Andrew Boey (Nikonian Academy), we made a film of DCIM. Andrew visited almost every booth on the exhibition floor, interviewing its owners while I followed on the Pilot and XF 305 combo. In the end, we discovered this was a long take of 40 minutes.

Pico Dolly gives you smooth tracking shots but depends on a flat surface.

Pico Dolly gives you smooth tracking shots but depends on a flat surface.

The one gear that I wished I could have spent more time with is the Canon XF 305. The XF 305′s pricing may appear prohibitive but like the Steadicam, you get what you pay for.

My mentor in the Steadicam, Wesley, from Tegas Broadcast and Multimedia, balances the Steadicam Merlin before the show.

My mentor in the Steadicam, Wesley, from Tegas Broadcast and Multimedia, balances the Steadicam Merlin before the show.

The XF 305 comes with 3 X 1/3 inch CMOS chips (that’s three of them chips in one camera body!). It’s like shooting the same scene with 3 cameras and combining all the details into 1 video.

Adrian Chua looks like he's doing a good job helping a customer understand the jib.

Adrian Chua looks like he's doing a good job helping a customer understand the jib.

From what I understand, the XF 305 also sports an excellent that’s worth $6,000 on its own! It also has Dynamic Image Stabilization and an extreme Powered Image Stabilization which reduces vibration when shooting at telephoto range.

There's even something for the iPhone of all things! It's called the Steadicam Smoothee.

There's even something for the iPhone of all things! It's called the Steadicam Smoothee.

As a testament to Canon Professional HD Center’s capability to cover all angles in the film making industry, we showcased Edius for film editing.

A small rail-based slider that looks like it's going to work very well. Regretably, I forgot to enquire about the brand & model. Photo courtesy of Kumuthan Govindasamy.

A small rail-based slider that looks like it's going to work very well. Regretably, I forgot to enquire about the brand & model. Photo courtesy of Kumuthan Govindasamy.

Edius was in the form of a D’Cube mobile film editing solution in a box (literally). It’s got a HDMI and HD-SDI in/out, plenty of hard disk space, USB ports etc.

You get to try out these gargantuan lenses are commonly used for sports photography where speed and shallow DOF are crucial. Photo courtesy of Kumuthan Govindasamy.

You get to try out these gargantuan lenses are commonly used for sports photography where speed and shallow DOF are crucial. Photo courtesy of Kumuthan Govindasamy.

One of the best things about Edius- it reads all of the file formats thrown at it from the Canon booth. MXF, EOS Movie, it takes them all in without having to transcode into its own native format for smooth playback.

Here I'm testing out the dynamic balance of the Pilot. It spins off impeccably! Photo courtesy of Kumuthan Govindasamy.

Here I'm testing out the dynamic balance of the Pilot. It spins off impeccably! Photo courtesy of Kumuthan Govindasamy.

Another star of the show at the Canon booth is the very light and very stable KesslerCrane Lite 8 jib. It can carry a video camera up there or a HDSLR. One of our guys even set up his iPone on it!

Indeed, this was a fantastic way for a film director like to me complete the year. 2011 will always be close to my heart because of the camaraderie I had with my fellow camera enthusiasts.

Posted in Attire and Gear, Camera Stabilization Systems, Exhibition, Product Review, Products, Reviews, Steadicam, Video Cameras, Video Equipment, Video Gear, Videography Gear | Tagged , , , , , | Leave a comment

Ballet Dancer & Green Screen Cinematography for Originex

Sony FS100 positioned to film ballerina Micheline in front of our green screen studio setup.

Sony FS100 positioned to film ballerina Micheline in front of our green screen studio setup.

The HDSLR revolution has given us breathtaking film quality HD videos but when it comes to visual effects, especially with green screen, we chose to use a high end video camera.

Our client, Toniq Creative Management, brought us in to produce a launch video for Originex, an Information Communication Technology company with offices in Malaysia and Singapore.

Make-up and hair- Suhaili Micheline gets 'prettied' up by our make-up artist, she's already a doll to begin with!

Make-up and hair- Suhaili Micheline gets 'prettied' up by our make-up artist, she's already a doll to begin with!

The idea was to film a ballerina emerging from a red cloth (Originex’s corporate colour) draped over her. This symbolizes the rebirth of the company.

Film Director Baron discuss with chereographer Llew Marsh (Toniq) about Suhaili's dance sequence as Cinematographer Chiau Ran looks on. Our grips are already working on the lights on the set.

Film Director Baron discuss with chereographer Llew Marsh (Toniq) about Suhaili's dance sequence as Cinematographer Chiau Ran looks on. Our grips are already working on the lights on the set.

I was pleasantly surprised when I found out I will be directing famed dancer, Suhaili Micheline who was a finalist in reality TV series, ‘So You Think You Can Dance’ season One (she’s also a renowned choreographer, dance lecturer at the Aswara National Arts Academy and international performer).

Director and choreographer's POV. The monitor/TV shows us the set lighting and Suhaili's position in frame.

Director and choreographer's POV. The monitor/TV shows us the set lighting and Suhaili's position in frame.

Originex wanted a motion backdrop that complemented Suhaili’s performance so we had to use the green screen technique (chroma-key). We know a HDSLR like the Canon 5D MK II or 7D shoots with 4:1:1 colour sampling.

If you’ve read this far, it goes to show you’re really interested in film making. So, if you’re having trouble understanding colour sampling, check out this enlightening article: Understanding Colour Sampling.

Ballerina Suhaili Micheline in action. The shadows in the green screen indicate that she's too close to it. Compositing will be challenging.

Ballerina Suhaili Micheline in action. The shadows in the green screen indicate that she's too close to it. Compositing will be challenging.

This compressed colour space would limit colour-keying during post production. We chose the FS100 because of its ability to capture images at 4:2:2 which would give us a cleaner ‘key’, without any ‘moire’ or other artifacts related to HDSLR footage.

Our Cinematographer Chiau Ran talks to Suhaili about where her boundaries within the camera's frame.

Our Cinematographer Chiau Ran talks to Suhaili about where her boundaries within the camera's frame.

One of the biggest contributing factor to the successful removal of the green background is proper lighting. For this, we are grateful to have cinematographer Chiau Ran who expertly guided his grips to light up both the large green backdrop and Suhaili.

Dancer and choreographer review the last performance. At this point, we've got at least 1 good take to bring home.

Dancer and choreographer review the last performance. At this point, we've got at least 1 good take to bring home.

Suhaili did multiple takes under the watchful eye of choreographer Llewelyn Marsh and I. Llew from Toniq was a pleasure to work with. Suhaili Was graceful and watching her move was like looking at poetry in motion.

A little touch-up mid-shoot. Just as well since the red cloth wasn't behaving.

A little touch-up mid-shoot. Just as well since the red cloth wasn't behaving.

We had some issues with the red drape as it attempted to snag on Suhaili’s ballet slippers. One challenge was making sure none of the green from the backdrop spilled onto Suhaili’s skin, which would make compositing more difficult.

That's a wrap! And a group photo is mandatory :)

That's a wrap! And a group photo is mandatory :)

Another concern was if she appeared forceful enough when emerging from the drapes. Did it say “I’m born anew”? Concepts like these may seem innocuous but it makes a big difference as a launch video.

Sony FS100. This baby was instrumental in a sharp image with good dynamic range that made it easy to 'key'.

Sony FS100. This baby was instrumental in a sharp image with good dynamic range that made it easy to 'key'.

To ensure a good and problem-free key, talents should be advised:

  1. Not to have anything green in their attire.
  2. To tie back their hair and have any fine, loose pieces of clothing or accessories securely fastened to their body.
  3. Not to wear anything transparent.

In terms of lighting and cinematography, the grips (assistants) should:

  1. Use separate lights for the backdrop and talent.
  2. The green backdrop should be evenly lit, without any bright spots or burnt out areas.
  3. The talent should be standing at least 6 ft from the backdrop, or at least out of the lights which are meant to light the backdrop.
  4. Material for the backdrop should not be reflective to prevent any ‘spill’ of green onto the talent’s skin.

The footage from the FS100 was later composited successfully with Adobe After Effects CS 5. It was then edited with music and the company logo in Grass Valley Edius 6.

This video was then featured in Originex’s corporate launch ‘A Tribute To Our Partners’ in which we were also the videographers.

Sony cameras like the NEX-FS100 can be purchased from our equipment provider Tegas Broadcast & Multimedia

Do you want us to produce a video for you? Please fill up the form below. We usually get back to you within 2 working days.

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 Corporate Video Product Video Event Video

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 Scriptwriting Videography (1 day) Videography (2 days) Video Editing 3D Animation Voice Over Recording Not sure. Please suggest

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Posted in Adobe After Effects, Corporate Video, Edius, Edius 6, High Definition, Launch Video, Motion Graphics, Sony, Sony FS100, Video Cameras | Tagged , , , , , , , , , , , , | Leave a comment

If Yan Can Cook, We Can Film: Videography With Celebrity Chef Martin Yan

Master Chef Martin Yan- lighting quick in the kitchen, with a sharp wit and tremendously entertaining.

Master Chef Martin Yan- lighting quick in the kitchen, with a sharp wit and tremendously entertaining.

Back in the 80s I used to watch ‘Wok With Yan’ where Chef Martin Yan entertained a live studio audience with his humour and wit as he cooked up dish after dish of Asian recipes. Last week, we finally got to film him.


This video was shot in High Definition but due to its 25 minutes length, we decided to upload it in 16:9 Standard Definition. If you are a prospective client, kindly contact us to view this in HD.

True Passion- Martin Yan, is AFC’s (Asian Food Channel) recent production and features Chef Yan’s latest adventure: pairing his authentic delectable Asian cuisines with Australia’s largest wine brand, Jacob’s Creek.

The awesome Sony FS100 with great low light performance and a large Super 35mm sensor.

The awesome Sony FS100 with great low light performance and a large Super 35mm sensor.

We were engaged by Pernod Ricard to film Chef Yan’s cooking demonstration. This will be a live High Definition multi-camera production. We decided to use video cameras. We chose the recently launched Sony FS100 and an older Sony FX1000. We used a Videonics MX-1 video switcher to cut between both cameras. It came equipped with 2 monitors and a T-bar for variable speed transitions.

Videographer Eddy with the Sony FX1000 for medium-wide shots. Attached is the DN60 CF card recorder.

Videographer Eddy with the Sony FX1000 for medium-wide shots. Attached is the DN60 CF card recorder.

Our client also wanted another camera to cover insert shots like room deco, quests arrival and close-ups of the food amongst others. This is definitely a job for a HDSLR and we used the Canon EOS 7D with RedRock Micro follow focus.

Before the event starts, Baron frames and records relevant and pretty scenes for our editors in the studio.

Before the event starts, Baron frames and records relevant and pretty scenes for our editors in the studio.

Right off the bat we knew HDSLRs are a no go for live video feed for obvious reasons:

  1. Top of the list is the big white reference rectangle that appears right in the middle of the screen. Too distracting for audiences.
  2. They have a 12 minute recording limit for each clip. Although we can overcome this by quickly pressing the record button again, we chose not to go through with it.
  3. Overheating- this is a classic and very perplexing issue with HDSLR cinematography. We know that a 5D Mk II or 7D will overheat after about 10 minutes of non-stop filming. We didn’t want to play with fire!
Compact but serious switching. The Videonics MX-1 video mixer lets us transition between multiple cameras.

Compact but serious switching. The Videonics MX-1 video mixer lets us transition between multiple cameras.

So, we decided to use video cameras for the Live Video Feed. It has been a classic choice (and still is) for Live Feed. The benefits of using video cameras are:

  1. Quick adjustments for Iris, Shutter and White Balance.
  2. Ultra smooth zooms or power zooms.
  3. Easy access to audio level controls which brings us to…
  4. On-board shotgun mic that records great quality video.
  5. Comes with RCA/BNC connectors to hook up with projectors.
Pureen and Phoon monitor video feeds from each camera and broadcast the final video to the audience.

Pureen and Phoon monitor video feeds from each camera and broadcast the final video to the audience.

I want to single out one very important feature available on video cameras: Autofocus. This feature alone helped tremendously in filming a live event like this. Our videographer, Ma Chiau Ran, was designated to be main camera A. He was way up front on the stage filming close-ups of Chef Yan’s demo. Chef Yan, being Chef Yan with decades of experience, wowed the audience with his lightning fast slicing and dicing.

FS100 comes with RCA connection which is an overlooked feature of video cameras that is crucial for live feed.

FS100 comes with RCA connection which is an overlooked feature of video cameras that is crucial for live feed.

Off and on Chef Yan would also interact with the camera. This put Chiau Ran’s skills to the test. He had to be have quick reflexes and there was hardly time to worry about anything else. Camera B was the FX1000 and would capture an seamless medium wide shot of Chef Yan.

Cinematographer Baron grabbing insert shots with Canon 7D and Red Rock Micro follow focus for steady, rapid focusing.

Cinematographer Baron grabbing insert shots with Canon 7D and Red Rock Micro follow focus for steady, rapid focusing.

Chiau Ran chose to use the Autofocus on the FS100. On stage, the lighting wasn’t as bright as we’d like it to be but the FS100′s autofocus held its own. Given the camera’s large Super 35mm sensor, the autofocus was quick and accurate, as evident in the video. There were many times Chiau Ran had to execute quick zooms and this put the autofocus to the test but compared to many other cameras, the FS100 was very quick to refocus.

The calm before the storm. Chiau Ran is all set as Chef Yan goes through his checklist in the background.

The calm before the storm. Chiau Ran is all set as Chef Yan goes through his checklist in the background.

In the audio recording department, the FS100 also performed very well. Audio was set on Auto mode. The FS100 did not prematurely lower or increase the audio levels. So, in the editing process, we we happy to discover that although Chef Yan suddenly raised or lower his voice, the audio satisfactorily held its levels.

Cinematographer Chiau Ran providing live video feed for Chef Martin Yan's cooking demonstration

Cinematographer Chiau Ran providing live video feed for Chef Martin Yan's cooking demonstration

We used the Datavideo DN60 Compact Flash Recorder with the FX1000. The DN60 complemented the FX1000. Instead of recording to tape, we were using the more readily available CF cards. The DN60 works with both SD and HDV signals through a firewire (Sony’s iLink) cable.

By now Chiau Ran has familirized himself with Chef Martin Yan's fast and impromptu style.

By now Chiau Ran has familirized himself with Chef Martin Yan's fast and impromptu style.

The video was edited with Edius 6. The Multicam Mode in Edius 6 provides a hassle-free and fun way to splice footage from both cameras. It was almost like working on a video switcher- 2 smaller screens for each camera and 1 larger screen for the Master.

Edius 6 stylish and efficient interface. Shown here is the Multicam mode, capable of displaying 16 cameras.

Edius 6 stylish and efficient interface. Shown here is the Multicam mode, capable of displaying 16 cameras.

Edius read all 3 camera formats without the need to transcode (convert) to a common format. Everything played back smoothly and workflow was fast… as usual!

This production is a classic example of how multiple brands worked in harmony to produce the film for our client, Jacob’s Creek and Pernod Ricard.

Baron with Chef Martin Yan. The cinematographer with his favourite chef. Photo courtesy of William Loh Photography

Baron with Chef Martin Yan. The cinematographer with his favourite chef. Photo courtesy of William Loh Photography

This is an auspicious project. 2 decades ago I was a boy watching Chef Yan impressing his audience a few continents away, today I eventually I got to film the legend himself!

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